38th MIBF: My Japanese book haul

20170918_031742My MIBF2017 book haul. Who wouldn’t be happy; five books, each for 20% less.

If only I can get paid reading books, then I’ll have all the joy in the world.

I don’t really buy this much. I only buy one or two the most but a good-natured person 🤗☺️loaned me some money so I got to buy this much so I’m not buying any until I get to pay these five books.

 More of my fascination on Japanese literature 

Discovering and exploring other Japanese authors — Yoko Ogawa and Hiromi Kawakami. These authors I think aren’t even available at National.

“Subtle, graceful, wise and threaded on a quirky humor, this exploration of the connections and disconnections between people kept me smiling long after the last page.” – Julia Rochester’s review of Hiromi Kawakami’s The Nakano Thrift Shop.

However, I think the plot summary ultimately got me. It says “Among the jumble of paperweights, plates, typewiters, and general bric-a-brac in Mr. Nakano’s thrift store, there are treasures to be found.”

Kawakami’s The Nakano Thrift Shop is somewhat familiar as I’ve seen it on Kinokuniya SG Webstore but I didn’t click on it, so I still don’t know up until today what it is about. I also haven’t read any of her works before so entirely, she’s new to me.

“Gorgeous, cinematic… This novel has all the charm and restraint of any by Ishiguro or Kenzaburo Oe, and the whimsy of Murakami.” – Los Angeles Times review of Yoko Ogawa’s The Housekeeper and the Professor.

After reading this review and the plot summary saying “An enchanting story about what it means to live in the present, and about the curious equations that can create a family” at the back of the cover, I knew it’s a shoo-in for me. I love the cover too.

Yoko Ogawa is also entirely new to me and I totally discovered her and this book at the Fully Booked booth, which means I haven’t seen this even at Kinokuniya Webstore before.

Despite being new, Haruki Murakami’s Men Without Women is also 20% off and I’ve been meaning to get it since it was released back on May 9th. And of course, After Dark — it’s been on my must-read Murakami books ever since, because of its story and the title itself speaks so much of the world where I exist.

And last but not the least, My Neighbor Totoro: The Novel. It’s released in 2012 for the 20th anniversary of the film.

I’m just so happy to be finding it at Fully Booked. It’s been on my Kinokuniya wishlist for quite some time now but haven’t really decided when I’ll buy it because I’m thinking of getting the others first, so it’s really nice I was able to buy it at a lower price than Kinokuniya’s.

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My heart was so happy when I found this – My Neighbor Totoro: The Novel. Released in 2012 in celebration of the film’s 20th anniversary.

 

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38th MIBF:Manga-sightings and adoring session of classics covers

Fully Booked has a wider selections of books (compared to National Book Store or Power Books), including a lot of manga, they even have Jojo’s Bizarre Adventures in hardcover. And I just love the covers of Sense and Sensibility and Les Miserables (Not that I ever read these two already or that I will ever read them.)

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Sherlock Holmes, Gothic Science Fiction Fantasy and Grimm’s Fairy Talesv

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The real Niccolo Machiavelli. I first heard of Machiavelli from Harry Potter and back then I thought he was fictional. Love the embossed words on the cover and back of this.

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I almost shrieked with joy (internally, of course) because I thought this was The Life Changing Manga of Tidying Up by Marie Kondo but it wasn’t. It’s a parody of Kondo’s book. I got fooled. But the title is humorous and I can so relate to its opening lines.

38th MIBF: My last day, last hour visit

 

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My last day, last hour visit at the 38th Manila International Book Fair. #MIBF2017

I didn’t even go early or at least during the afternoon. I decided to just drop by and spend at least an hour to take a look. I wasn’t really intending to buy anything unless I see those that I like or something interesting.

I wasn’t really in a hurry to beat the 8pm closing so I wasn’t really minding the time. It was already 8:30pm and I’m still at the Fully Booked area and there’s still a lot of people so I took my own sweet time looking at every shelf. I eventually finished and decided to pay at 9pm and finally thought I should get myself some food.

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Not a fan of Precious Pages books but those two standee of anime guys caught my eyes.

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Rocco Nacino, Joross Gamboa, Luis Alandy, Marco Alcaraz, Precious Quigaman, and Richard Quan at the stage area on Sunday. 

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Tokyo Ghoul live action: My independent perspective

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This is the first instance I ever watched something on the first day, last screening though because I don’t wanna miss it like when I almost didn’t get to watch Your Lie in April back in December.

Not a fan of the anime as I haven’t seen it but I’m quite familiar and so far has watched some clips before seeing the film. But every time there’s a live action adaptation of manga-anime series, I always wanna check out the trailer to see if I should watch it. Then I saw the trailer of this coupled with a great ending song, I was floored and quickly decided I’ll see it.

As far as reviews go, it’s generally positive. As for me, it doesn’t disappoint from my stand-alone view of not comparing to the anime-manga of course, so I’m not saying anything about how faithful the film is from the manga, which is pointed out as one of the strong points of the film.

I enjoyed watching it and I really like it because it has a great cast that’s suitable for the characters they portray, has good balance of drama and action, the scenes and pace play out well meaning it doesn’t drag, it isn’t so gory or too violent for me, the cinematography — I love the cold dark color and atmosphere of the film, I love the effects of the kagune — it really gives me the creeps, love the fight scenes, it’s so well-done, particularly that climactic face-off between Kaneki and Amon (Masataka Kubota and Nobuyuki Suzuki really executed this part really good), and not to forget really strong performances from the cast, specifically Nobuyuki Suzuki as Amon, Yu Aoi as Rize, Yu Oizumi as CCG investigator Mado and Masataka Kubota as Ken Kaneki.

I’m so amazed right now with Masataka, that part when he gets all consumed and deranged by his ghoul instincts and about to kill and eat Amon is the highlight of his performance as Kaneki. He gets all the craziness of this character all in the right ways, even when he was still the nerd human Kaneki.

He gets my respect from this performance. I do know him from Death Note TV series but haven’t seen it but after researching him, I found out he earned a best actor award as Light. This reminds me of how Kenichi Matsuyama also earned awards from his performance as L from the Death Note movies, but this time the cards are on Light’s side for having the stronger and more talented actor between the two. #MasatakaKubota

With this, the film makes me wanna watch the anime now and I’m now considering seeing Death Note TV series despite being uninterested when I first heard about it — one reason is that I’m not exactly okay with YamaKen as L.

Kakeru, Kousei, Kou: A trio of profound suffering

 

First, I knew about Kou then Kousei and now Kakeru and then it hit me, that these three form a deep puzzle.

When I came to the realization that their names all start with the same letter — letter K, I’m like ‘what kind of enchantment is this?’ It feels like it’s meant to be, maybe intentional or perhaps pure coincidence.

Besides the first name initial, these three have issues that concern their mothers but of course not in the same exact manner — one’s mom passed away due to an illness and he can’t forgive himself because he feels responsible in taking care of his mom as he promised to his brother when their parents got divorced, thinking if only he paid more attention then he would have noticed it (Kou); the other whose mom is so ruthless that she beats him which ends up with the son finally blowing up and cursing that he hopes she dies and ultimately it does happen (Kousei); and finally, a boy’s mom who’s sickly, also divorced when he was little and who needed her son to be with her at the hospital, to which he initially agreed but changed his mind to hang out with his new friends and informing her in a not so pleasing manner, which was followed by the mother breaking down and committing suicide (Kakeru).

All three have high sense of guilt, self-hate, and extreme trauma — depression. They deal with it in different manners but similarly, their behaviors and perspectives have all changed.

Out of the three, I’d say Kakeru has the most difficult depression because he’s reached that suicidal tendency stage unlike Kou and Kousei. Then again, what Kousei said to his mom is more distressing than what Kakeru did but Kakeru ended up feeling more guilty than Kousei as people have different reactions to such situations. Kousei, I think, at the end of the series, might have subtle suicidal tendencies after suffering a double blow when Kaori passed on but I guess Tsubaki is the key so that he could avoid it.

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On a side note,  Kakeru and Kou could really pass as twin brothers, seriously. I instantly thought of Kou the first time Kakeru made an appearance except the hairstyle and the eyes. Even Futaba and Naho are so alike other than the hairstyle and color and their eyes.

Orange anime series and my Japanese inclination for such stories

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Orange has been on my list since late last year while I was occupied with Shigatsu wa Kimi no Uso (Your Lie in April). I’ve been listening to its soundtrack from early this year without having even started the anime series and now it’s on repeat again as I’m finally watching it.

Stories such as (depression and suicide) Orange tend to have gravitational pull towards me. It’s been a strong predilection for me but my very first venture and exposure to such themes was when I read Norwegian Wood by Haruki Murakami back in college (Thanks to a college classmate’s recommendation). In this, three people committed suicide — Kizuki, who killed himself when he was 17, Reiko, and then eventually Naoko who had been struggling with the loss of Kizuki.

Then in Colorless Tsukuru Tazaki, which is now my favorite Murakami novel, there’s also suicide and depression with the character of Shiro.

With anime both series and films, such examples among my favorites are 5 Centimeters per Second’s Takaki, Ao Haru Ride’s Kou, Shigatsu wa Kimi no Uso’s Kousei, Koe no Katachi’s Shoya and Shouko, and then this anime series — Orange with Kakeru, which is set to become among my favorite anime series.

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Apart from the same themes, these are all Japanese. Even Kizuki’s suicide and Kakeru’s suicide in the alternative timeline are similar — both are 17.

Depression and suicide are highly complex because both are psychological and even more difficult to explain than any kind of medical illness.

I’m starting to wonder why I have so much attachment to characters and stories with the said elements. On my take, it’s something I deeply contemplate about. A close friend said, it’s because it’s something I can understand but perhaps it’s more than that.