‘Sleepless’ at the QCIFF

QCIFF 2

Again, it’s another last minute post. I’ve been meaning to write about this since I saw the film last month at the 3rd QC International Film Festival but I haven’t gotten around to write on it. This is my 6th film festival of the year. The last is Cinema One Originals also last month where I saw Hou Hsiao-Shien’s “The Assassin” and an animated short film “Memorya” by Jovanni Tinapay.

2015 is definitely the year of the movies and I’m happy to know I was able to see that much this year, some were even free. It seems like I actually spent a lot on seeing movies this year more than anything else, even books, though I had some book purchases as well.

Like as mentioned in my previous posts, it has become a habit for me to attend and watch film festivals whether or not I’m going to write it for Pinoy Gazette, and I especially like to try the ones I haven’t attended before. This time, there’s Cine Europa which I had one movie and another one from the French Film Fest.

Another first for me this time is the 3rd QC International Film Festival. I actually really wanted to attend last year’s season but it coincided with Cinema One Originals. Luckily this time, they weren’t happening on the same dates.

I decided to watch one this romantic-comedy titled “Sleepless” starring Dominic Rocco and Glaiza De Castro from the direction of Prime Cruz and screenplay by Jen Chuansu, both former freelance writers from Star Cinema.

I was initially attracted to it when I read it’s about two insomniac and how these two different but similar people have come to form a connection during the hours while most people are asleep; talking about random matters from zombie apocalypse, to Facebook posts, superpowers, love, and all those in between.

And while I wasn’t particularly impressed with the chemistry, I can say that I’m very fond of the two characters’ simple interactions. Their conversations and at how they can almost talk about anything is one thing I really appreciate and that’s the core of real friendship.

I felt that there’s some sort of romantic spark going on but the film didn’t need to venture to that just so it can validate the value, realism and meaning of the film. I find that one thing particularly interesting.

Another highlight of the film is how beautifully it captured Manila by night and how the night becomes the witness to Gem (De Castro) and Barry’s (Rocco) nocturnal loneliness and the eventual development of their unique bonding and friendship. It’s part of the story, as if it’s breathing among them.

The way the film depicted Manila by night is something that affects anyone like them or even anyone who isn’t insomniac – the complete silence that it can almost break something and the things nocturnal people do at night.

To me, it’s like the night has become their home and their only solace from the life that they have to face during the day. I can relate to this a lot because I myself is someone who likes to be awake during the wee hours of the night. It simply has that unique calm and quiet feeling that the day doesn’t give.

I’d still give it 3/5 stars although it didn’t necessarily topped “That Thing Called Tadhana” by Antoinette Jadaone which I so love. But then again, the film has its own faults (cliche relationship of Gem to a married man or the awkward incorporation of animation) but it has its own distinct shining moments that any rom-com film doesn’t have.